Mothernism

Lise Haller Baggesen

COMING SOON !! email caroline@lanternprojects.com to reserve your copy today At the intersection of feminism, science fiction, and disco, Mothernism aims to locate the mother-shaped hole in contemporary art discourse. If the proverbial Mother is perhaps perceived as a persona non grata in the art world, because her nurturing nature is at odds with the hyperbolic ideal of the singular artistic genius, Mothernism amplifies her presence, channeling her energy, complexity, and sublime creative potential in a series of intimate and critical reflections. The resulting collection of letters — dedicated with love from one mother to her dear daughter, sister, mother, … Read more

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Ghost Nature

Mice grow human ears on their backs in laboratories and rabbits glow in the dark. In this new age of ecological awareness, “Nature” as a Romantic ideal—a pristine mountainside beyond the scope of human influence—is but a dithering spirit. Rather than succumbing to the pang of this loss, GHOST NATURE exposes the limits of human perspective in the emergent landscape that remains: a slippery network of sometimes monstrous creatures, plants, and technological advances. Bilingual Edition. Translations from the French by Jean-François Caro, Jeanne Trombetta and Sophian Bourire. Introduction by Érik Bullot. Written contributions from Timothy Morton, Graham Harman, Laurie Palmer, … Read more

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The Pedway of Today

Hui-minTsen

In 2010, Chicago-based artist, Hui-min Tsen, led a series of free, guided tours through the Chicago Pedway — a circuitous and ever-changing route of indoor passagways throughout Chicago’s downtown. Using the Pedway one need never step outside; it links train stations, skyscrapers, civic departments and department stores, containing enough pedestrian traffic to host small, underground businesses as well. Unique for its ad hoc nature, Tsen used the Pedway system to speculate on the various and changing Utopic visions that have shaped not only Chicago’s city development, but also American culture. This book is  the culminating synopsis of that artistic tour. … Read more

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Service Media : Is it “Public Art” or Art in Public Space?

Over the course of the 20th century artists have sought to engage aesthetic and social potential latent in traditionally non-artistic sites. Such endeavors seek to activate both artistic and non-artistic communities while privileging the often ephemeral and social interactions that arise, rather than a singular art object or exhibition gallery practice. Service Media contains a collection of 16 essays, artist projects, an interview, and a syllabus around and about socially engaged art practice. Each contribution independently defines, critiques and celebrates art’s action beyond and outside the white cube, “creating community within a community.” Edited by Toronto-based artist practitioner, Stuart Keeler,  Service Media features … Read more

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Palm Trees

Nick Twemlow

“Like us, palm trees are imports, and seem to come from everywhere but here,” writes a reporter for the Los Angeles Times in an article lamenting the dying days of the once-ubiquitous palm trees of L.A. Named for those iconic imported exotics that flank the boulevards of America’s strangest city, Palm Trees is a collection of poems characterized by a revved-up, ruminative musicality, and it issues its swan song in a voice that channels the restless globalism of America in the new century. The poems shuttle from airport to boardroom, boardroom to living room, making the kind of foreboding observations … Read more

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The White House

Joel Craig

Joel Craig’s poems first reach out with quiet Midwestern sincerity–precise craft mixed with personal invention–but quickly thicken: “Let me try to lay out what I think I understand” leads to “Las Vegas / and the end of Western history.” Ethical without being political, popular without being pop, personal without being sentimental, Craig sings of how we are “stuck near a river / [we] can feel the evidence of / but can’t imagine.” Filled with elegies to aging rock ‘n’ rollers, explorations of skipping romance, and studied frustration with the world as it appears (and a sincere belief that quiet hands, … Read more

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Hip Hop Apsara: Ghosts Past and Present

Anne Elizabeth Moore

The city of Phnom Penh, Cambodia hosts public dance lessons most nights on a newly revitalized riverfront directly in front of prime minister Hun Sen’s urban home. Shortly before dusk, much of the city gathers to bust a few Apsara moves and learn a couple choreographed hip-hop steps from a slew of attractive young men at the head of each group. Outside the bustling capital city, the provinces come alive, too, as the nation’s only all-girl political rock group sets up concerts that call into question the international garment trade, traditional gender roles, and agriculture under globalization. Cambodia is changing: not … Read more

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The Brightest Thing In The World: 3 Essays From The Institute of Failure

Matthew Goulish

THE BRIGHTEST THING IN THE WORLD: 3 ESSAYS FROM THE INSTITUTE OF FAILURE is a collection of essays that touch on seating strategies, Dick Cheney, cuckoo clocks, the Fibonacci series, butterflies and old friends. These threads weave together like a tapestry and by their accumulated resonance create an impression of loss and longing. As in Sebald’s Rings of Saturn, the reader passes through an associative experience. These are the essays of a poet; like a performance of words, each verb is as active as a muscle. While every sentence tends to its end, the reader resists its inevitable conclusion. This … Read more

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On Marvellous Things Heard

Gretchen E. Henderson

Derived in form from Aristotle’s “Minor Work” of the same title, this variation of ON MARVELLOUS THINGS HEARD explores a range of literary appropriations of music, in terms of translation and metamorphosis. Part investigation, part inventory, and partinvention (in the musical sense: a composition in simple counterpoint), this poetically-driven essay assays the narrating subject as she assays the subjects of literature, of music, and of silence.

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Kordian

Juliusz Słowacki

Gerard Kapolka

Kordian is a Polish classic written in 1833 by Juliusz Słowacki and features an amalgam of revolutionary spirit, tradition, modernist bravado and suffering–topics navigated by a young Romantic protagonist after whom the play is named. Within the canon of Polish literature Kordian offers pivotal insight into the development of Poland’s Romantic movement (her literary golden age), and Polish literature as a whole. The Green Lantern Press is pleased to publish the play’s first English translation by Gerard T. Kapolka. Illustrations by Lilli Carré and silk screen covers by Aay Preston-Myint. This book was published in an edition of 500.

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